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PHOENIX II is an AAX plug-in for native and DSP that is designed to put analogue colour into the digital domain by increasing apparent loudness without increasing gain (e.g., by modelling analogue tape compression). Rishabh Rajan puts Crane Song's Phoenix II to the test.
Designed in the U.S.A Visit here and get a free demo license - Avid's new AAX plug-in platform has become very popular in a short space of time. #Crane song phoenix iivstaudioz full
Luster starts more gently than the other four processes, but becomes as aggressive as Dark Essence when the process is at full scale. (The effect is a colour with a wider frequency range-when used on a vocal Dark Essence can reduce sibilance problems by increasing the apparent loudness of the rest of the signal) #Crane song phoenix iivstaudioz pro
Radiant is characterized by a more aggressive compression curve PHOENIX is a TDM plug-in suite for Pro Tools HD that is designed to put analog color into the digital domain by increasing apparent loudness without increasing gain (e.g., by modeling analog tape. This plug-in is the most similar to the tape knob on HEDD-192 Iridescent has a similar magnetic character, but with a fatter bottom and midrange. CRANE SONG PHOENIX PLUG-IN Bottom of Form PHOENIX is a TDM plug-in suite for Pro Tools HD that is designed to put analog color into the digital domain by increasing apparent loudness without increasing gain (e.g., by modeling analog tape compression). Luminescent is the most neutral sounding process of the five. The PHOENIX II suite contains five separate plug-ins. Rishabh Rajan puts Crane Songs Phoenix II to the test. If you have any specific questions just shout. Avids new AAX plug-in platform has become very popular in a short space of time. It's definitely one of my top five plugs for HD. I do know that I prefer to mix with it than without and I find it helps in getting a mix to gel.Īll in all I don't think it's the silver bullet that some feel it is (I don't believe in those anymore) but I am happy I have it and feel that it is well worth the asking price. I started recording on ADATs about 9 years ago so I'm a digital kid. I hope Dave and Scott dont hate me for blabbing this, but I cant keep this one in my pants. It's sound varies as you hit it harder.Īccording to Cranesong it is designed emulate the sound of analogue tape, I have absolutely no idea if it suceeds in that regard as I have no experience with good analogue. I turn the knob to about 9 or 10 o clock and build the mix with it. In a rock mix I will insert a Phoenix accross the mix bus and set it to Luminescent which is the most neutral sounding process of the five available. His intimate knowledge of analog electronics, as well as decades of experience as a recording. It seems to pay its biggest dividend when you take the mix out of the studio and onto something like a boombox - it seems to help the track jump out of the smaller speakers. Designer Dave Hill has crafted this software with the same attention to detail he used to create the electronics for ATR Service's much heralded 'Aria' discrete tape recorders. I rarely use it on acoustic instruments such like guitar or piano - it seems to add an obvious distortion that I don't like (other's may disagree). #Crane song phoenix iivstaudioz mac osx
Crane Song Phoenix TDM MAC OSX INTEL Not scene release Size: 7. Tanisha Simpson on Crane-Song-Phoenix-TDM-MAC-OSX-INTEL. Crane Song Phoenix TDM MAC OSX INTEL .RTAS.v1.
#Crane song phoenix iivstaudioz 32 bit
Phoenix II uses 32 bit floating point math and has a lower noise floor than the original release. Phoenix II runs both NATIVE and DSP on Avids PT 10 AAX format.
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The Phoenix is very useful on anything on the rock and roll side of the fence such as the obvious drums, bass, electric and vocals with attitude. URS has also recently announced Mac-Intel compatibility. MPN PHOENIXII Phoenix II is an update of Crane Songs suite of TDM plug-ins designed to emulate the unique properties of a magnetic tape machine. I hear a sort of strident quality in the mix if I use the inflator on more than a few sources in the mix. FWIW I prefer it to the Sony Inflator (which you may have experience of). It's quite seductive at first and I used a little too much of it on my first few mixes but I think I've settled into a groove with it.